Kenzaburo Ōe has the most incredibly sparse writing style - very evocative of Haruki Murakami. I don’t know what it is - it isn’t frustratingly vague, nor is it particularly minimalistic or fluffy - but there is a lightness, a gentle grace to the syntactical movement of “Aghwee the Sky Monster”.
I’ve also gained a new appreciation for See What I Wanna See, even in light of The Wild Party and Marie Christine. It’s absolutely one of LaChiusa’s most consistently intriguing scores, even if it doesn’t reach the peaks of musical inventiveness or tunefulness that either of his earlier musicals hit (especially so with The Wild Party; them are some hummable tunes. Of course, “My Best Friend” starts playing in my head.).
On a completely separate note:
As it turns out, he doesn’t reciprocate my feelings, and I had made him uncomfortable by unintentionally planting the seeds of rumor. He wasn’t too upset, though, and thanks to the timely intervention of a friend, neither was I. It is more than a bit disappointing, though.
We open Pirates a week from today. I’m still a bit shell-shocked.